Wednesday, December 31, 2008

Last Day At St. Boonie's


I'm sitting in my bedroom now with my husband and children watching the wind swirl snow off the rooftops. It's been snowing hard for hours. 

I can't believe it. It's finally here.

It was my last day at St. Boonie's.

I've said my goodbyes, and now I'm home.  But part of me lingers there for a moment.  For a couple of years I spent as many or more hours there than at home. Though our work load and situation got rough toward the end, the thoughts that echo through my mind are largely warm ones.

The O.R. community was like a village, or a second family. We joked familiarly with each other, teased each other, argued with each other, got into each other's business, supported each other. Leaving wasn't easy; but at the moment I truly feel it's the right step.

For now I rest with these memories, and many others - like the time one of the ENT surgeons did the merengue with me in the O.R.... and the time one of the OB/gyns was elbow-deep in a patient's abdomen trying to deliver a baby...and the time I did the polka with a colleague in front of the main O.R. desk...and the time we had to surgically extricate a rather large foreign object from you-don't-want-to-know-where...and...






The day they helped me change my flat tire...






The "Potty-Mouth Bucket" created for one of the surgeons...








One of the nurses expressing her affection for Johnny Depp...








Our turtle troubles, and our very own surgeon-cum-cheloniologist who was able to provide a curbside consult...







Bubba...








Caroline Walsh's highly appropriate T-shirt...







The "Fabio" effigy (face replaced) with which we'd decorate the lunch room in honor of a particular surgeon's birthday each year...







That surgeon's last Halloween appearance, when he showed up to work dressed as a certain well-known Plumber...








And this surgeon who was kind enough to stop for some Wheetabix for me on his way in to the hospital to do a weekend procedure...






And of course, the annual pumpkin carving exhibit:


Thank you, St. Boonies, for these past two and a half years. I won't forget them.


Sunday, December 28, 2008

Ode to Vocal Cords

The ritual is the same every day:
parting tissues 
like a hunter parting reeds,
taking aim
and, if nature favors,
the surety and satisfaction of hitting one's mark.

Yet no two rituals are the same;
the mark can be elusive, 
or for all intents and purposes
 impossible.

I see it now: a frontier in time and space;
a narrow gate;
doorway between life and death,
between speech (or song) and silence;
the borders between human and other,
between "evolved" and "creature,"
incarnate in its vertical rims.

Every day I gaze upon
these Pillars of Hercules,
a cipher of our humanity,
evidence of our forward step:
the larynx low, fixed in descent
from its primal place 
in infancy and antiquity,
genetic words made flesh 
as flesh that - miracle of miracles -
makes words.

Words.  More than vowels,
howls, and primeval cries.
A voice - a voice is not enough,
nor a larynx far descended;
Cervus elaphus has that, and even

Homo sapiens has found
that finely crafted, interwoven
movements, stops, and sounds
can place into our worldly roil
the measured contents of our thoughts.
A larynx powered by the mind:
portal to poetry, language, and song.

The hunt continues:
My daily ritual enacts 
an ancient yearning to understand
who we are, what gives us life,
and in what hidden places
our secrets can be found.
And so I snap my blade into place
and begin again.

_________________________________________________
This attempt at a poem was written in response to an invitation from Moneduloides to "step outside of the box" of what we usually write and submit a post for the December 30 edition of Grand Rounds, whose theme is "at the interface of evolution and medicine," in honor of the upcoming bicentenary of Darwin's birth and the 150th anniversary of the publication of On the Origin of Species.  Please check out this fascinating latest edition of Grand Rounds culled by brilliant blogger Moneduloides.

Thursday, December 25, 2008

Silent Night


I am away from my family today.

I can't really complain. I just had the chance to be the CCU's "little Christmas elf" this evening, as the nurses started to call me: I happened to be "in the neighborhood" when they paged anesthesia stat, so there I went, blue jeans, jingle bell earrings, and all, to help the CCU attending with an intubation.

And I was with my husband and children earlier, thanks to my colleague Avram who offered to cover the morning hours of my call for me. I woke up to the sound of excited little feet thumping up the stairs and two adorable children jumping on the bed with cries of, "Merry Christmas!" and "Santa came!"

The reindeer had partaken of the oats we had left for them on the front steps, and the cookies and milk by the hearth had been (we presume) wolfed down with gusto. Delightful books, movies, and other dreamed-of gifts came out of their shiny wrappers under our tiny little Christmas tree. I sat in my almost-finished renovated kitchen - my husband's and father-in-law's mega-present for me - with the morning sun streaming in through a brand new window and sipped warm chocolate from my favorite mug. It was perfect.

I almost got teary-eyed hugging my children goodbye and leaving them today, but I know I'll be seeing them tomorrow morning. As we used to say during internship: "Morning always comes."

But for the moment, duty calls.

It's my last overnight call at St. Boonie's.

I finally did it. I finally made the decision to leave. My last day working here will be the 31st.

I have mixed feelings about leaving the St. Boonie's family. These empty halls I walk now are already haunted by ghosts this Christmas night - memories of moments with patients, of co-workers who have supported me. Like the time two nurses, an anesthesiologist, and a tech helped me change a flat tire in the parking lot so I could drive home. And the time people rallied around me when I felt threatened. And all the times we cracked up laughing over each other's antics, or inwardly cried for each other's sorrows.

So although I'm a little lonely this Christmas, I am warmed by these thoughts. I feel blessed to have come to know these friends. I look forward with hope to a new year and a new job. I rejoice in the Christmas morning that preceded this night. I am nourished by the ancient, hope-filled words from the Prophet Isaiah that have echoed in my mind and heart this season:

The people that walked in darkness have seen a great light:
they that dwell in the land of the shadow of death,
upon them hath the light shined
...

I spend this Christmas night striving to look outward beyond myself and my own little life. I think of being here, working here, as a prayer, an offering of faith that is well within my power to give. As for prayers made with words: my mind and heart recite tonight a favorite from the Book of Common Prayer:

Keep watch, dear Lord,
with those who work, or watch, or weep this night,
and give your angels charge over those who sleep.
Tend the sick, give rest to the weary,
bless the dying, soothe the suffering,
pity the afflicted, shield the joyous;
and all for your love’s sake. Amen

Wednesday, December 24, 2008

Bells in the Air


I have started work on the Corelli-Barbirolli concerto in earnest.

I first encountered this work on Youtube, where I saw this young girl holding her oboe practically parallel to the ground, as is often done in Europe. If I had tried that at the time I know I wouldn't have been able to produce so much as a sound!

Mahler wrote instructions for the wind sections to play with bells up or "bells in the air" - Schalltrichter auf or campane in aria or pavillons en l'air - in most of his symphonies, apparently. Not in the first, I believe, but definitely in the 4th and 5th. I have seen solo oboists play like this too, and I marvel at it. How on earth do they play that way? For fun yesterday Kyoko had me try to hold a note while moving my oboe from my usual position (bell down) to having bell diagonally up, just to see what kind of adjustments I had to make with my embouchure to keep the sound going. I didn't find it easy!

As a dancer I can understand why the bell-up position can feel so triumphant, almost glorious. Playing in this stance of celebration and victory, one can almost imagine oneself among the heavenly host announcing wondrous "tidings of great joy." The dancer in me believes in the meaning created by our bodies' movements, by the shapes we make in time and space, and how these can influence our daily experiences. This is why I don't consider admonitions such as "Don't slouch" old-fashioned. Slouching can sap energy as much as holding one's bell up can invigorate one's playing.

This is also why I believe in paying attention to body language as well as words when I talk to my patients, and why, after a painfully long day in the O.R. on this Christmas Eve, the one moment that made it all worth it and that gave me renewed energy for the long drive home was the moment my patient clasped my hand to her chest in the recovery room as she thanked me for seeing her through her surgery. That one generous gesture of trust and appreciation, and the conviction in her eyes as she spoke to me, put the tired feelings, and the aching head, and the beeper beeping as soon as I got home, all in perspective.

It helped me look out at her and at the rest of the world again on this Christmas Eve, rather than at my tiny little problems and at the delicious, selfish self-pity in which I was starting to wallow over being on-call for the holidays. It helped me remember to wish her well and squeeze her hand in return. It helped me enjoy a moment of plunking out carols at our out-of-tune piano with my kids without worrying that the beeper would interfere.

Schalltrichter auf, T. Keep your chin up and your bell in the air.

Tuesday, December 23, 2008

A Christmas Carol and Other Stories


"But you were always a good man of business, Jacob," faltered Scrooge, who now began to apply this to himself.

"Business!" cried the Ghost, wringing its hands again. "Mankind was my business. The common welfare was my business; charity, mercy, forbearance, and benevolence, were all my business. The dealings of my trade were but a drop of water in the comprehensive ocean of my business!"

Every year a different line from Dickens' classic hits home - which is probably why it is and should be a classic. This year it's this one. The dealings of my trade - laryngoscopes and stethoscopes, hospital life, group politics, patients easy and difficult both clinically and personally, exhausting calls, preoccupying stresses and responsibilities - these are the "drops" that need to be put in perspective in the "comprehensive ocean of my business."

This year work has grown increasingly problematic. I needed to be reminded: work is just work. My profession, my calling, is much more than what I've been dealing with at work. In any case, change is on the horizon...but of that, another time.

I took my children to see a local theater production of Dickens' A Christmas Carol tonight. It was quite a nice production. The performers not only acted out the classic tale but also took turns narrating the story using Dickens' own words. Woven into many scenes were lovely arrangements of some favorite carols sung or played by the actors themselves - Good Christian Men Rejoice, God Rest Ye Merry Gentlemen, Here We Come A-Wassailing, the Gloucestershire Wassail, and Let All Mortal Flesh Keep Silence, to name just a few.

Year after year this story makes me think Dickens was a total genius and knew all the elements of a near-perfect story: intriguing characters, appealing settings, mystery, conflict, secrets to be revealed, high-stakes trouble to be resolved, a ghost or two, moments that highlight little glimpses of humanity that make us think, "Yes! Exactly!" and of course, a final conversion that moves and brings joy, and can bring insight into ourselves in a transforming way. Dickens reminds us through his timeless character that hope and redemption lie at the heart of Christmas.

Here's another one of my Christmas Lists, then, for the eve of Christmas Eve:

My Favorite Holiday Stories and Books

7. The Littlest Angel by Charles Tazewell
6. Two from Galilee by Marjorie Holmes
5. The Best Christmas Pageant Ever by Barbara Robinson
4. The Gift of the Magi by O. Henry
3. A Christmas Carol by Charles Dickens, illustrated by P.J. Lynch
2. The Fourth Wise Man as told by Susan Summers, illustrated by Jackie Morris
1. The Christmas Miracle of Jonathan Toomey by Susan Wojciechowski, illusrated by P.J. Lynch

Sunday, December 21, 2008

Christmas Lists


Happy Solstice!

I have a confession to make.

I love, love, love making lists. I think I may have to sign up for an account on Listography.com.

I've been list-making like crazy this season. List of gifts for family and friends. Christmas card list. Wish list. To-do lists for the day, the week, and the month. List of books I want to read on my next vacation. It's a form of self-soothing, I guess, during a hectic period.

Today's list was inspired by a quote I heard on a wonderful NPR interview of composer John Rutter. At the end of the interview Andrea Seabrook quoted Paul McCartney as having said,

"I love to hear a choir. I love the humanity... to see the faces of real people devoting themselves to a piece of music. I like the teamwork. It makes me feel optimistic about the human race when I see them cooperating like that."

I couldn't agree with him more. I've had the privilege of a music-filled holiday season so far - we were transported by The Christmas Revels at Sanders Theater yesterday, and we heard Kyoko play stunningly with the chamber orchestra at the Isabella Stewart Gardner Museum today. Every time I watch musicians or performers coming together to offer us their different talents and voices with love, energy, and real joy, I come away with a renewed sense of hope for the world beyond the concert hall.




Christmas List of the Day: What the O.R. Team Can Learn from a Choir or an Orchestra

10. Show up on time.
9. Make sure you have all your papers in order.
8. Keep your instruments in tune.
7. Practice together.
6. If you're giving directions, know your notes really well and bring the best out in each of your players.
5. Be prepared for your own part.
4. Know and show that every voice counts / matters / deserves respect.
3. Pay attention and listen vigilantly to those around you.
2. Work together and help each other do your very best.
1. Never cut corners; put reverence and heart into what you do, not for your own sake, but for the work your team is doing and creating, which has the power to make lives better.


Christmas List II: An Anesthesioboist's Favorite Carols

O Come, O Come Emmanuel
O Come, All Ye Faithful (somehow always makes me cry when it starts; not sure why)
In Dulci Jubilo
Ding Dong Merrily on High
Rutter's Star Carol and Shepherd's Pipe Carol
Riu Riu Chiu
Personent Hodie
I Wonder As I Wander
Wild Wood
Wexford Carol
Un flambeau, Jeanette, Isabelle
Pat-a-Pan / Guillaume, Prends ton Tambourin
Do You Hear What I Hear
Most of the Wassail Songs - Somerset Wassail, Here We Come a-Wassailing, the Gloucestershire Wassail, etc.
The Sussex Carol
Most things on most Cambride Singers recordings...
Alfred Burt's stuff as sung by the Tanglewood Festival Chorus with the Boston Pops
Nick Bicat's "God Bless Us Everyone" from the 1984 film version of A Christmas Carol

Christmas List III: Boston Area Christmas Delights We'd Love To Try and Catch Every Year Even Though We Know We'll Only Make One or Two

Music:
-The Christmas Revels
-a production of Amahl and the Night Visitors
-the Messiah sing at Harvard's Dunster House
-Harvard University Choir's lessons and carols service at Mem Church
-the Gardner Museum concert series
-The Reagle Players' show It's Christmas Time
-the Pops
Dance:
-A Dancer's Christmas (sadly, in its final year)
-Boston Ballet's Nutcracker
-we still haven't made it to the Urban Nutcracker but really want to
Theater:
-A Christmas Carol at Arsenal Center for the Arts

Saturday, December 20, 2008

Candy Cane Time


The one time I don't mind being on-call overnight at the hospital is during a blizzard. Everyone scurries around frantically trying to leave early, to avoid having to drive in the snow storm, but the person on-call isn't going anywhere. With any luck, the busy work dies down early and you can ensconce yourself in the doctor's lounge with a mug of something warm to drink (unless you're at a trauma center, in which case you might not sit down all night).

St. Boonie's is not a trauma center, but it does admit a lot of very sick patients, and the busy work did not die down so early on my last blizzard call. A PACU patient went into respiratory distress and was found to have a highly unexpected pneumothorax. The O.R. ran non-stop all day and into the night, though I did take a late afternoon break to have a yogurt and a couple of Lavender-scented Shortbread Nuggets. That night Bubba had to bring a patient back to the O.R. to control some bleeding. The ICU moonlighter called not once but twice to ask if I could perform a couple of after-midnight intubations for some really ailing, failing patients. There was a steady stream of work, but it was good work in a warm place.

The real gift of the day was the chance to help a colleague manage a really tough situation. While I was finishing my lavender-infused butter cookie in the break room, one of the nurses came in and said, "Do you think you could come and help Alex out? He's having trouble intubating this woman. He's been trying for almost half an hour."

"Half an hour?!" I got up and started walking back to the O.R. with her.

"It's a woman we've had a hard time with before. The last time this patient was here Jinny took four tries before she could get the tube in." Jinny's been practicing anesthesia for almost as long as I've been alive.

"Well, if Jinny had a tough time, and Alex is having a tough time, I don't imagine it's going to be any easier for me." Alex had done a fellowship in cardiac anesthesia at a prestigious heart center after his residency, so technically he had had even more anesthesia training than the rest of us.

When I walked in Alex had the situation under control with a temporary airway device, but we still had to find a way to get an actual breathing tube into the patient's trachea. "I had no view with a Miller blade," Alex said. "Tried twice. Then I tried a blind nasal - no luck. I thought I'd wake her up and do a fiberoptic next."

"Have you tried an intubating LMA?"

"No. We could do that first. Or you can have a look if you want."

We got the LMA and the fiberoptic scope ready and positioned our assistants. I got a tube and different laryngoscope blade ready, then I went to the head of the bed to take a look, expecting a very unpromising view.

I was right. No vocal cords to be seen. Not even arytenoids. But I did find the tip of the epiglottis, which Alex had had a hard time even visualizing. I asked Alex to apply some external pressure on the patient's cricoid cartilage, passed the tip of the breathing tube behind the epiglottis, and asked the nurse to remove the stylet from the breathing tube slowly while I advanced the tube. The patient coughed weakly. That was actually a good sign.

Alex's eyes lit up, almost not daring to hope. He hooked the breathing tube up to the ventilator. I squeezed the ventilator bag. The patient's chest rose. Our eyes swerved toward the carbon dioxide monitor to see if there was indeed a waveform indicating exhaled carbon dioxide. The electronic line appeared, drawing the exact curve we were looking for. Alex put his stethoscope on the patient's chest. "Good sounds on the right. Pull back a little...okay, good sounds on the left. We're in!"

Alex, the nurse, and I all breathed a sigh of relief. Then Alex turned to me and asked, "How did you DO that?"

"I think I got lucky," I said, "but I can show you what I was trying to do once we're all set here."

Alex set about securing the tube and positioning the patient while I cleaned up syringes and wrote a note in the chart. When he had gotten everything settled, I showed him how I had inserted a stylet into the breathing tube and curved the whole contraption into a letter J or, as I told him in the spirit of the season, an upside-down candy cane. Then I had him position his hand as a kind of epiglottis and showed him what happend to the tube as the stylet was being removed slowly. Because of the candy cane shape, the tube was propelled first vertically upwards before snaking horizontally into the glottic opening - a movement demonstrated to me during residency by an anesthesiologist I had had the chance to work with only a few times.

Had I not spent that particular day with that particular teacher and had a patient with a challenging, "anterior" airway, he might never have had occasion or taken the time to pass on this particular tip. It was a maneuver that had gotten me out of many, many sticky situations, when an airway threatened to be difficult and I didn't have much around in the way of extra hands or fancy technology. It's these seemingly simple, low-tech options that sometimes save lives in the field, during ICU intubations, or when you're the only attending anesthesiologist around for miles in a rural hospital in the middle of dairy farms. I thought of Dr. R, the man who gave me the courage and ability to try this little technique, and thought, "What an incredible gift you've given me. How many patients have I been able to help, because you taught me this one small thing? Thank you!" I wrote him to tell him so that night.

Teaching each other is truly one of those "gifts that keep on giving." It reminds me of something Will Smith said recently on TV, about the kind of work we should all be doing: "If you're not making someone else's life better in some way, then you're wasting your time." When I have been on the receiving end of an eye-opening, helpful lesson, I feel a small rush of excitement and happiness at having been given something truly constructive, valuable, and ultra-cool. When I've had the privilege of teaching others helpful things that my teachers have taught me, the feeling is doubled: I feel my own excitement and that of the person to whom I've passed on what I know, as well as a resurgence of gratitude to the teacher who gave me the initial knowledge or ability.

Alex and I felt like celebrating after we were able to secure his patient's airway, not only because we were relieved to have done so at last, but also because he was so excited to have acquired a new option for his store of airway-management techniques. So thanks, Dr. R, for showing me that candy cane maneuver, and giving me the chance to help not just patients and students but also fellow-physicians. I owe you one.